
Lumi Karmitsa is living her knitting dream: “The colorwork pattern must spark a reaction”
When knit designer Lumi Karmitsa started on her first book, she mostly knew only the basics of knitting. She has just one rule for her work: it must be sympathetic.
“A few years ago, I came across some beautiful cat mittens online and decided on a whim to knit them for a friend. That was my first-ever colorwork project. As soon as I cast on the stitches, I realized I could just as easily design the pattern myself. The next pair of mittens I knitted ended up in my first book.
Many knitting designers have been at it their whole lives. I, on the other hand, started with almost nothing. I learned basics like the knit and purl stitches in school, but otherwise, I pretty much dove straight into making a knitting book.



Designing new patterns is a very hands-on mental process. I think about what kind of image might suit a mitten or sock, and I draw plenty of sketches. I keep paper in my bedside drawer and sometimes start sketching in the middle of the night when inspiration hits. Usually, though, I use a computer program.
When I design, I have only one requirement: it has to be sympathetic. The image must spark some sort of reaction—whether the socks are cute, funny, or creepy. Depicting a recognizable figure, let alone stirring an emotion, in the space of just 30 stitches is challenging, but it’s what I always aim for. Receiving enthusiastic feedback on my designs is incredibly rewarding. That’s how I know I’ve succeeded.



Socks are my favorite pieces to design. The limited space can be tricky, but the socks come together quickly in a satisfying way, and even unraveling them isn’t too bad. So far, I haven’t had the patience to design and knit sweaters.
On the other hand, I can spend a long time refining a particular sock or mitten pattern, aiming to make it as polished as possible. My favorite creation is always the one I’m working on at the moment.



I was hooked on knitting from the start. I’ve always done different types of creative work but things like writing and drawing cause me a lot of creative angst because I’m so self-critical. Knitting doesn’t. From the very beginning, it was blissfully simple and fun, and it carried me away.
Because I love knitting, the boundary between my free time and work has long been blurred. When I first began, I could knit for up to twelve hours a day. Many knitters might not believe you can get tired of knitting, but it’s possible, so I try to keep my knitting times in check. This summer, I bought a SUP board to act as a total counterbalance to knitting.”