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A red wooden house in the heart of Helsinki: inside illustrator’s vintage-filled, color-packed family home

For Finnish illustrator Jenna Kunnas, a home is like a significant work of art through which she expresses herself. “Quirkiness is wonderful; I wish there was even more of it,” she says of her family’s wooden home.

October 23, 2025Lue suomeksi

Jenna’s favorite piece is an original Eyvind Earle print in blue-green tones, purchased from an American museum. The poster is from an exhibition at Kumu in Tallinn. The sofa is from Hakola’s sleeper sofa collection, and the coffee table came from a flea market in Kirkkonummi. The wallpaper is Bownet by Pihlgren & Ritola.
Jenna and Mikko are drawn to the style and color palette of 1950s teak furniture. They’ve filled their String bookshelf with only good books. The armchair was purchased at a Helander auction. The pillow is by R/H.

Home: An apartment in a two-family house built in 1910 in Helsinki, 5 rooms + kitchen, 149 m² (about 1,600 sq ft).

Who lives here: Illustrator, artist Jenna Kunnas, 42, and writer, science journalist Mikko Pelttari, 42, children Elle Kunnas, 12, and Myry Kunnas, 7, plus Lucius the cat.

Follow on social media: @jennakunnas

String shelves were installed in the spacious kitchen to showcase beautiful dishes. The doorframe and the wall decoration bought at a Helander auction echo the shades of Boråstapeter’s Pigkammaren wallpaper. The Pirkka dining set designed by Ilmari Tapiovaara was found online, and the Risto Halme 441 chair by the door was discovered at a flea market.
The kitchen features cabinets made by a carpenter. The apartment’s kitchen cabinets were replaced with custom-made units in 2009–10. The style is suitably faithful to the house’s venerable age.
These masonry stoves used for both heating and cooking used to be especially common in smaller apartments. The kitchen oven is used occasionally, even though the apartment stays warm enough with just district heating.

Jenna, what is the history of your house?

The house was designed by architect Antero von Bell, and it was built in 1910 for the drivers of Kumpula Manor. The apartments were extremely small. At one point, more than a dozen families lived here. The house later became an alcoholism treatment center, and it was also occupied by squatters, until it was left to deteriorate to near-demolition condition. Thankfully, in the early 2000s, this beautiful building was saved, the spaces were divided into three apartments, and a thorough renovation was carried out.

A man got in touch with us recently, saying that his childhood home was “in one corner upstairs” in the 1960s. He gave us a wonderful gift: a plaster head made using one of the drivers who lived here as a model.

Jenna’s tip: “Dare to experiment with different shapes, for example around door openings. You create interest in basic surfaces and get the illusion of extra trim at the same time. Rounded shapes soften the look.”

A grayish corridor became fascinating when Jenna painted a bold pink, wavy design around the doorway. In winter, the shape pairs with overwintering green plants, which also inspired the pattern’s form. The table lamp was brought from Barcelona.

Jenna’s tip: “Posters are an easy way to refresh a room. Reuse them and switch them around from one space to another.”

Have you made any changes to the home?

Before we moved in, the home was renovated by people versed in traditional construction. When we moved in about thirteen years ago, we only did surface renovations, choosing wallpaper and paint we liked.

We didn’t have much experience, but learned by doing—for instance, how to hang wallpaper. We’ve updated the surfaces a few times since then.

Seven years later, when we got the chance to purchase the small downstairs apartment next to ours, we renovated under the creative guidance of the talented Marinka Paasikivi. It was fun to figure out inventive solutions together, like how to combine floors on different levels.

The apartment features a wonderfully spacious foyer. The green wallpaper is Narina by Cole & Son. Exhibition posters make a fun eye-catcher.
The landscape wallpaper in Myry’s room is from Papermint Paris. The 1950s bed was found at Bukowskis. The movie posters came from the United States, next to Mauri Kunnas’s Pippendorf Manor. The sheets are from Finlayson, designed by Jenna.
A love and talent for making art runs deep in the Kunnas family. Here, Jenna draws alongside her daughter Myry. The Houdini ink piece on the wall is a school project by Jenna’s father, Mauri Kunnas.
Jenna creates ceramics for her own pleasure, without harsh self-criticism. Playfulness and funny characters are the ideal outcome. The paperweights are inherited from Jenna’s grandfather.
Jenna is adept at many art forms, including mosaics. The small table crafted by Jenna’s grandfather got an fascinating new surface when it was decorated with a floral motif, using fragments of her grandmother’s broken cereal bowl.

Jenna’s tip: “Don’t throw away broken dishes. They add a fun touch to mosaic work while preserving memories. Create abstract bursts of color or recognizable motifs like flowers. A neat grout finish completes the piece.”

Jenna, how would you describe yourself as a decorator?

I have a keen visual sense and know what I like. I’m not too strict, and I don’t adhere strictly to any single era or style. Mikko and I both enjoy 1950s furniture, but our home also includes other styles. I’m particular about lighting; stark light makes me anxious.

“I easily end up decorating in other people’s homes, too, if they don’t mind.”

Home is like an important work of art to me, a way to express myself. There are no leftover corners here; every space is carefully considered. I work at home a lot and need beauty around me.

Quirkiness is wonderful, and I wouldn’t mind more of it. I’m an expert at arranging, both in art and interior design. I often find myself decorating in other people’s homes as well, if they don’t object. I’ll fold blankets and turn on accent lights.

A blue wall provides a stunning backdrop for original posters and photographic art. The shade is Tikkurila’s K358. The bed was an online flea market find in Porvoo, and the bedside lamps came from Bukowskis. The large piece is from Michael Spencer-Jones’s art exhibition in London, a photo print of an Oasis album cover.
“I spotted a handmade papier-mâché dinosaur at the Bukowskis auction house. I fell in love and was surprised that no one else bid. The staff laughed at me walking out with a dinosaur in my arms. I think this lizard, which once traveled from Sweden, is just so lovely and brings me endless joy.”
In Elle’s room, Jenna created a delightful floral lamp using a fixture designed for three bulbs. She cut different flowers out of cardboard. The wallpaper hiding keys is Chiavi Segrete by Cole & Son.

Jenna’s tip: “An old cabinet door made a functional, interesting entrance to our outdoor storage after painting it in a checkerboard pattern with bright trims. Always see the potential in old doors!”

What is your relationship with color?

As an illustrator and artist, color is a vital part of my everyday life. I love living among vibrant hues. I’m a color maximalist, and I’m not afraid to use their power. My childhood home also embraced color, so for me it signifies warmth and coziness. There’s no need to fear color, and you can always change it. After all, it’s only paint. I might grab a brush on a whim and repaint a wall.

Our yard is small and shaped by rocky crevices. “There’s a lush, secret-garden vibe here where more is more,” Jenna says. The terrace has considerably improved how we use the compact yard. In summer, we eat nearly all our meals outdoors, and the abundant greenery provides privacy.
The creaking wooden floors and wavy window glass immediately charmed the family. Friendly neighbors upstairs make it easy to care for this home that’s over a hundred years old.

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