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Finnish design

Alvar Aalto was a master of clean lines and carefully considered details—the beloved design classics pass from generation to generation

Alvar Aalto (1898–1976) had a versatile career as an architect and designer. He designed his buildings holistically, all the way down to the interior decoration. Aalto’s bentwood furniture, sculptural lamps, and vases continue to captivate people from generation to generation.

An ad pops up in the neighborhood’s Facebook flea market group, offering some decades-old small Artek chairs. In no time, the comment section fills with eager reservations and hopeful “next in line” comments. Vintage Artek furniture is highly sought after among decorators these days.

Artek’s furniture has a history spanning over 85 years. The first bentwood pieces were developed by Finland’s most internationally renowned architect Alvar Aalto as early as the 1930s, together with cabinetmaker Otto Korhonen.

Alvar Aalto in the garden of his home in Munkkiniemi, Helsinki. Outdoor spaces played an important role in his architecture. Photo courtesy of the Aalto family.
Aino Aalto has been described as an observer and Alvar as an extroverted charmer. Photo courtesy of the Aalto family.

Aalto, who graduated as an architect in 1921, began his career in the spirit of Nordic classicism but soon became interested in new, functionalist architecture and design. The clean-lined Paimio Sanatorium, completed in 1933, and the Vyborg Library, opened in 1935, became landmarks of functionalism, and his international breakthrough works.

Aalto’s most important colleague was Aino Marsio, whom Alvar married in 1924. Aino graduated from the Helsinki University of Technology in 1920 and was reportedly a more precise drafter than Alvar, and also a skilled carpenter.

After their functionalist breakthrough work, the Paimio Sanatorium, completed in 1933, the Aaltos embarked on their own way towards a more organic and freer design language.
The Vyborg Library beautifully represents Aalto’s functionalist period. The building was completed in 1935.
Aino Aalto was largely responsible for the interior design of Villa Mairea, located in Noormarkku. The house was completed in 1939.

Alvar Aalto designed not only buildings but also their interiors, right down to door handles and light fixtures. Aalto’s furniture became available to home decorators after 1935, when Alvar and Aino Aalto founded, together with Maire Gullichsen and Nils-Gustav Hahl, Artek, which began manufacturing and marketing furniture designed by the Aaltos.

From the late 1930s onwards, Aalto’s architecture and design took on an even more nuanced appearance. The white-plastered, box-like buildings were replaced in the 1950s by red brick structures that flowed with the terrain, the most famous of which are the Säynätsalo Town Hall (1949–52), the House of Culture in Helsinki (1952–56), and the main building of the University of Jyväskylä (1951–57).

According to legend, Aalto believed his iconic stools would sell in the thousands. In reality, 1.5 million have been produced to date.
Tea Trolley 900 is from 1937. It is inspired by British tea culture and Japanese aesthetics.
Alvar Aalto invented the innovative L-leg structure used in his dining tables, chairs, and stools.
Aalto designed the Paimio armchair for the Paimio tuberculosis sanatorium in 1931. The reclined seating position made it easier for tuberculosis patients to breathe while sitting.
The 1950s was the peak period of Alvar Aalto’s lighting design. A notable piece from this time is the Beehive (A331), which began production in 1953.

The same delicate and multifaceted approach was also evident in his furniture and lighting fixtures. In the 1950s, Aalto designed sculptural lamps such as Angel Wing (A805), Beehive (A331), and Turnip (A333), as well as the fan-shaped leg for his furniture.

In addition to furniture, Aalto tried his hand in other areas of design. In glass, he created perhaps Finland’s most famous vase, the Aalto Vase. Originally, Aalto drew it for the Karhula-Iittala glass design competition held in the late 1930s. The vase, originally called “Eskimo Woman’s Leather Pants”, took first place and was put into production by the factory in 1937.

Aino Marsio and Alvar Aalto married in 1925. The union ended with Aino’s death in 1949.
The Otaniemi university campus is among Alvar Aalto’s most famous works. Today, the campus is known as Aalto University. Pictured is the university building’s auditorium with its curved structures.

The master architect didn’t succeed equally in all his design endeavors. For example, despite long development and countless drafts, Alvar’s own cottage boat remained poorly steerable, front-heavy, and so structurally flimsy that it sank almost every spring.

The appreciation for Aalto’s design and architecture has varied over the decades. At times he has been put on a pedestal, at other times criticized as elitist or “so last season.” Now, in the 2020s, Aalto’s human-centered design feels more relevant than ever. The simplicity of his buildings and furniture, the beautiful and durable natural materials, carefully considered details, and humanity continue to resonate.

When Aalto taught at MIT in Boston in 1946, he designed a new student dormitory there, which later became known as Baker House.
Villa Kokkonen is one of the few projects Aalto designed for private use. The building was completed in 1969. Read more about Villa Kokkonen’s story! [in Finnish]
Aalto’s touch is strongly visible in the interior of Villa Kokkonen as well.

Aalto’s furniture in the vintage market

There is quite a lot of Artek furniture available second-hand, as they have been abundantly produced over the decades. Therefore, a variety of vintage Arteks in different conditions and price ranges are available.

In vintage furniture, the price is determined by the year of manufacture, the size of the production series, and the condition of the item. At the moment, a few-decades-old vintage Arteks are changing hands at quite reasonable prices. People acquire them primarily as everyday furniture for their homes.

The original models from Alvar and Aino Aalto’s production are rarities and reach peak prices at auctions. The highest prices have been paid for 1930s furniture, 1950s lighting from Valaistustyö Ky, and items that were originally made as single pieces or in small series.

Alvar’s second wife, Elissa, had a significant role as the head of Aalto’s office. Photo courtesy of the Alvar Aalto Foundation.
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